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LMT Sistēmas · TV spot · 2021

Riga, as a
point cloud

A spot for a company whose work is invisible. Riga, LiDAR-scanned from a drone and turned into particles.

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Year
2021
Role
Creative direction
What
30" TV and digital spot, 3D, motion, VFX
Line
Mūsu radīti pielāgoti IT risinājumi

The idea

LMT Sistēmas builds custom IT and IoT systems inside Latvia's largest mobile operator. Sensors, networks, software, the stuff between things. There is no product to put on a turntable. What there is, is a way of looking: everything as data, everything connected.

So the spot shows Riga the way their systems see it. The creative idea immediately became a technical question: how do you get a real city into a motion-graphics pipeline? Nothing was modelled by hand. If it appears, a drone scanned it. Real geometry, real colour, drawn as points instead of surfaces.

The cable-stayed Vanšu bridge in Riga rendered as a cloud of tiny white and red points against black.
The Vanšu bridge, as the drone remembers it.
Raw aerial LiDAR scan of the LMT headquarters in full colour, building, car park and trees captured as dense points.
Raw scan of the LMT building. 178 million points.

01

Scan the city

A LiDAR drone from 3D Engineering flew each location and came back with up to 178 million points per scene. Nothing in a normal motion-graphics pipeline wants a file that size. The job became less about choosing the right software and more about learning enough of several unfamiliar ones to build a path through the problem.

A CloudCompare viewport showing scanned tower blocks as semi-transparent point clouds with trim lines drawn over them.
The towers in CloudCompare. Deciding what the camera never sees.

02

Cut it down

We cut a rough edit before touching the data, so we knew exactly what each shot would see. Then the scans went into CloudCompare and MeshLab, and everything outside the frame was deleted. The point count dropped by orders of magnitude. What was left could carry a particle system.

An office building rendered in particles, the LMT logo on its roof picked out in red points. The inside of a glass-walled meeting room rendered as grey particles, larger spheres floating in the foreground.
LMT's own building, the only red that isn't noise. Then the last location, indoors, scanned like everything else.

03

Fly through it

Kristaps Kazaks built the particle systems on the meshes and flew one camera through all of them, so the spot reads as a single journey, not a slideshow of locations. The points gather into buildings, drift apart into spheres, and gather again somewhere else.

04

Land in the room

Late in the job the brief grew a line: finish on real people, in the real office, without a cut. So the crew shot the final move with a drone, the same room was LiDAR-scanned, the footage was camera-tracked, and the particles were told to settle into their photographic positions as the camera arrives.

An office half-dissolved: grey particles on the left, the real room in colour beginning to show on the right.
Halfway, the room deciding whether to be data or a place. Then the transition on its own: particles, then a room.

The result

A thirty-second spot for television and digital, built from scans of real places, with sound by Dirty Deal Audio. Riga is in there, point for point. LMT filmed the making of it: the drone flights, the scans, the crew in the office. In Latvian.

178Mpoints per scene
30"one continuous flight
0objects modelled by hand
The spot. Thirty seconds, one continuous flight.
Behind the scenes, by LMT.

Credits

Client — LMT Sistēmas
Agency — WRONG Digital
Creative direction — Oskars Cirsis
Project management — Aigars Tukāns
CGI, VFX, motion — Kristaps Kazaks
Sound — Dirty Deal Audio
LiDAR scans — 3D Engineering
Points — about 178 million per scene, most of them deleted
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